Pulp Fiction

There are few movies that have resonated with me the way Tarantino’s opus did. So many memorable scenes, legendary performances, witty dialogue, innovative storytelling and sequencing, and a soundtrack commensurate with the overall greatness of the plot.

Interestingly, as we find ourselves at the edge of the abyss that is the looming election, and all that it represents in the story of America, IDROS can’t help but think that we are living our own pulp fiction right now. No writer…not even Tarantino, or Orwell for that matter…could have scripted a tale that would have done justice to the past year. 2020 has been the most bizarre and heartbreaking year imaginable. I am waiting for someone like Winston Wolf to be summoned, tuxedo and all, and help us all magically clean up the bloody mess of this year before the Missus gets home.

Alas…Mr. Wolf is not emerging from an Acura NSX in front of our homes anytime soon. But one can still wish, right?

A scene that really stuck with me in the movie…and made an indelible mark on my life, to be honest, was a dark and awful and shocking and suspenseful vignette…in a movie chock full of scenes that fit that bill.

But this one scene stood alone in its graphic violence, in its vulgarity and utter boldness, and ultimately in its humanity. Those that know the movie likely know where I am going here, but in these times…these unprecedented times, that scene…that terrifying yet cathartic scene, spoke volumes about life in America…not in 1994…BUT RIGHT NOW, in 2020, with race riots scattered across our country, the most divisive political climate imaginable, and a deadly virus hanging over us like a guillotine blade.

***Spoiler Alert! (though at 26+ years, this one is on you, not me…and shame on you if you haven’t seen this film yet anyway). Butch and Marcellus were kidnapped by corrupt cops. Butch musters his strength to neutralize the “Gimp,” and heads back upstairs toward freedom and safety from the monsters below. Inches from getting away, Butch has a change of heart. What those evil assholes masquerading as law enforcement officers were doing to a man (who moments ago was Butch’s arch-enemy) downstairs was unconscionable. Butch couldn’t let it go. He grabbed a sword and headed back into the dungeon of horrors.

I will let the scene speak for itself.

When Marcellus answers Butch’s “you ok?” with the most memorable line of the scene: ”I’m pretty fuckin’ far from OK!” I believe he was speaking for all of us, who can’t believe the injustice that continues to surround large swaths of our nation…in 2020! ONE HUNDRED FIFTY-FIVE YEARS AFTER THE END OF THE CIVIL WAR. Who can’t believe that a troglodyte used the past four years to pack our Judicial system full of lifetime appointees who will roll back all progress gained by certain minorities, oppressed groups and an entire gender. Who can’t believe this same troglodyte willfully abetted an actual plague in the murder of hundreds of thousands of Americans, and put millions more directly in harm’s way. Who can’t believe the third (or more) of our national population who emboldened and defended the monster who runs our country. Who can’t believe that so many people still support this administration after witnessing the past 4 years. Who wonder what happened to kindness, civility, decorum and empathy in our country and certainly from our elected officials.

We are all pretty fuckin’ far from ok. But we don’t need to get medieval on anyone.

We all have the opportunity to be Butch. Our humanity cannot waver, even as we bear witness to unspeakable horror and evil. We all must head back down those stairs, confront the evil, and do the right thing.

If you haven’t voted already, IDROS urges you to get out there and vote on Tuesday. Vote like your life depends on it. Vote like your neighbor’s life depends on it.

Because Zed’s dead, baby. Zed’s dead. It’s time to move out of the darkness.

As always, thanks for reading.

Best regards,

IDROS

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Filed under Current Events, Entertainment, Movies, Politics

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